Tomatoes, hot peppers, tomatillos
Working on a new circuit at this moment, it’s inspired by some existing guitar overdrive pedals.
The main gain and overdrive stage is basically one slightly enhanced Proco RAT gain stage but with more potential gain and volume (instead of the RAT’s multiple lower gain stages) . The clipping type is what’s called the “soft clipping”, with LEDs in the negative feedback chain. The LEDs in theory would allow for good enough output volume thus eliminating the need for an additional gain recovery stage after the overdrive stage. That’s in theory of course 🙂
Will be prototyping this on a board soon hopefully. Will still need to tweak its frequency behavior, and set up its minimum and maximum gain and volume. Might also add a tone control later – certainly not the one used in the original RAT, don’t want it to be scooped like that one. Will probably go towards some mid boost à la Tube Screamer instead. Sort of tempted by having a tone switch with two preset tones instead of a continuous potentiometer.
It has a buffer at the input. I’ll also test it without the buffer to see how this one-transistor thing behaves. The input impedance will be significantly lower without the buffer, it may bring some interesting results like easy cleanup using guitar’s volume. Don’t know if I need it, worth testing anyway.
The simulation is showing it’s doing something already 🙂
20 days later:
Charge your mornings up!
Servicing Sony Walkman TCS-30D
I’ve got this one for cheap, sold as “working” but we all know how much does in mean when you buy from ebay 😂
It wasn’t working very well, couldn’t fast forward and played only some cassettes, others it couldn’t advance at right speed. As always, this is its rubber belts that are too old and need to be replaced.
Other than that, this is a very nice and clean unit made around 2000, one of the latest recording Walkmans that still used their old design from the early 90’s – much easier to work on than the compact “slim line” models of the early 2000’s.
It records in mono from its internal microphone, but will record in stereo using an external stereo mike (that was originally sold with this player, but I don’t have it unfortunately). The recording quality isn’t really suitable for music, but is perfect for voice. Having an integrated speaker is also nice, but again, maybe not for music. Using headphones, it can be used to listen for music, an in stereo of course.
It has “double time” (half speed) setting for voice recordings and also a fine speed control, very useful for transcribing.
Need to be careful when listening to unprotected self-recorded mix tapes, not to press the “Record” button by error or it will ruin the existing recording. The prerecorded cassettes or self recorded with removed record tabs won’t let the “Record” button to be pressed, there is an interlock lever sensing if the tabs are there or not.
The back cover is opened unscrewing 4 screws, giving easy access to the mechanism. There are two belts to change, and this is very easy to do. Once this was done, I also cleaned the mechanism and the play/record head and spayed some contact cleaner in the volume and speed potentiometers.
This was all that was needed to make it work like new 😊
Happy New Year everybody! I wish everyone lots of good things and happiness!
After many tests and modifications, I should admit that I wasn’t happy with the 3 band EQ results – it either sounded wrong or was unstable at some EQ settings. Turned out making a single Baxandal EQ circuit with three independent frequency bands is difficult to design 😂. I always wondered why classic Ampeg amps had their mid frequency control made as a separate stage – now I probably know why!
So I decided to ditch the mids and only keep two bands, bass and treble. Still thinking about making corner frequencies selectable by the switches, two frequencies per band. This could be useful for different instruments, like moving treble cut-off lower for the bass but higher for the guitar…
This is how my finalized prototype looks now with the mid frequency components out:
And frequency curves (these worked the best with my basses)
Gretch Jim Dandy + pickup
Added a soundhole pickup into this guitar! It won’t be an “acoustic” anymore, but an “acoustic electric”!
First two additional holes: one for a volume potentiometer (6 mm) and another for the endpin jack (12 mm):
The pickup is a Gretch Deltoluxe – a very nice magnetic single coil designed to fit into an acoustic guitar’s sound hole. It’s sold with all the mounting hardware and the endpin jack, but it doesn’t have a volume control, so I’ll be adding one. The pickup has a cable long enough to insert the volume pot in the upper side close to the neck joint.
And it’s all mounted!
Gretch Jim Dandy
Just got this parlor-size guitar (smaller body and shorter scale than usual), and already liking it 🙂
The sound isn’t big but still very pleasant, great for practicing at home. I’ll be installing a Gretch Deltoluxe magnetic pickup in it soon!
Moved this blog to another hosting – from OVH “Webhosting” VPS to Amazon LightSail with a Bitnami WordPress image. The reason is too many outages on OVH (I have Jetpack availability monitoring enabled and it sends me alerts way too often for my taste).
Let’s see how this one works out!
The move vent smoothly using “All-in-One WP Migration” WordPress plugin, by the way.
Universal Radio Tester
This simple device is a basic signal generator that can be used to debug audio and AM radio frequency circuits. It produces a (roughly) 1 kHz periodic wave output that has enough harmonic frequency content to go into high MHz range – this will make the signal audible even when injected into RF and IF radio circuits.
The schematics is based on a simplest possible two-transistor multivibrator that can be powered by one 1,5 battery (AA or AAA) but will also work fine with a higher voltage source, for example a 3,6V lithium coin cell. It draws around 300 mA at 1.5V. The components values can vary, also pretty much any pair of low power transistors will work. In case of PNP transistors, the battery should be flipped (+ as the ground and – as the power rail). It should start working right away and doesn’t require any tuning.
The output waveform and frequency will vary depending on the tested circuit impedance, without the load it will be similar to this:
Github source: https://github.com/badscrew/RadioTester
I simply soldered mine on a perfboard and it proved itself very useful:
3. Dead Kings bass effects pedal – EQ
This is the 3rd post in the Dead Kings preamp series.
Now to design the EQ module!
My initial idea was to create a circuit inspired from the classic tube bass amplifiers, like Ampeg Portaflex or SVT. I did some research and got somewhat carried away, so the circuit I came up with has ideas from many sources and doesn’t reproduce any of the existing modules. There were also ideas suggested by OnlyBass forum members that I’ll try to test out and maybe incorporate into the design.
So this is the first version that I came up with and ran through LTSpice simulation:
This is basically a “symmetrical Baxandal EQ in the negative feedback circuit”, with RC Bass and Treble and LC Mid sections. The LC/RC bridges are all high-impedance and require high-impedance next stage, hence the usage of the bootstrapped emitter follower (Q1) as a buffer with 250-300K input impedance. Q2 is the identical input buffer, and the Q4 buffers out the output – all of these make the EQ module completely independent and usable all by itself (perhaps as a separate pedal). As is, this EQ can be also easily transplanted into a tube circuit with minor or no modifications.
The pots are linear 100K, easy to source and more precise than logarithmic pots used in some of the vintage passive tone stack designs. For the Mid EQ inductor I’ll be using a primary winding of a small audio transformer, I have some handy but will need to test them in the circuit – it’s unclear what their inductance is, depending on the source it’s from 3 to 11 Hn.
The overall amplification is 0db (no amplification), the frequency bands give about 12 db cut and boost for the Bass and Treble and 8 db cut and boost for the Mids.
One of the things suggested on OnlyBass is to make the band frequencies modifiable, and I will be certainly testing this, to do that I just need to vary the capacitor values: C8 for the mids, C4 for the bass and C16/C21 together for the treble. In the final product I’ll maybe choose two values for each of the bands (using three switches, one per band).
Next step: to design and solder the board!
Continuing the Dead Kings preamp series
The tests in real hardware have shown very close characteristics to what LTSpice have simulated, this means the models of the transistors I’ve been using are pretty accurate, that’s good news!
i’ll be testing some slight modifications – reducing maximum gain and maximizing undistorted output – smaller R9 and R10 and higher R8.
The first stage (Q1 and Q2) didn’t need any modifications whatsoever. Even the modifications I’ll be doing are pretty minor and may not be necessary, time to try this and see if it worked out better at all!
1. Dead Kings bass effects pedal
I’m starting this new project on Github, heavily inspided by my recent discovery of the band Royal Blood https://www.royalbloodband.com/
This is the first post in the Dead Kings preamp series.
This preamp / effects pedal isn’t supposed to emulate the sound of Mike Kerr, I’ve just got some ideas I would like to try 🙂
Just for the kicks and as a challenge, I’ll be building this using only (or at least mostly) germanium transistors. I’ve been compulsively buying germaniums for quite some time, need to put them to good use!
The design will be licensed under Open Hardware permissive license, the sources will go here: https://github.com/badscrew/DeadKings
The main idea is to have two or three mixable channels, one clean and two effects – an overdrive/distortion and an octave up distortion.
Overall block diagram so far:
Hey, look what I’ve got, it’s small, cute and it works.
Well, the Minitel network is no more, but I have some interesting ideas (and three of these!)
Will speak about this more in near future!
Well, the pandemic wasn’t easy on me but I survived. Hopefully this blog thing will continue – I’m working on several projects in parallel right now, audio electronics, vintage computers and some weird software. Will start by documenting what I’ve done during my 2020/21 “absence”, this will fill some void 🙂
OK, this thing seems to work.
As a software engineer, I am too tempted to write a blog software to write my own blog in. “Drink your own champagne” so to speak. Using the newest and the bestest framework, augmenting my CV (hey – this is important!) and having fun while recording it all.
But no. After trying things and bits and bobs, I must confess that the old good and boring WordPress stays the best for that.
So be it – so what if it’s written in PHP (insert gagging sounds?). It just works and also installs in 3 minutes from a preinstalled “module” provided by my old web hoster.
It just works and gets out of the way and has tons of useful plugins for everything from CDN for static images (through Jetpack) to antispam for comments (Akismet). Worpress, you’re the winner again. I’ll let the blog stay out of the way and concentrate my efforts on fun and funky software and hardware that won’t break the blog itself 🙂
Welcome, hope this will be useful to someone! It will be for me 😉